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  • Works
    • 2023
      • Lavoir (II)
      • Translating and Co-labouring
    • 2022
      • Common Threads, Polar Bear and Elephant
      • Artefactourism: rumours and ruins
      • Lavoir
      • Wasteland. The Phosphorite War (II)
      • Hello from within
    • 2021
      • Walking Talking Minerals
      • Wasteland (The Phosphorite War)
      • Overlay
      • Doing What They Do Best
    • 2020
      • Living / Making Rituals. An Exhibition at Home
      • Shedding Skin
      • Denial
      • Beautiful Necessity
    • 2019
      • Natural Shelter
      • Burrows. Flights
      • Hello from inside
    • 2018
      • Premonition
      • How to: Live. Virtual Biographies
      • A necklace, a ladle, a touching vase and other recollections in clay
      • Laura Põld x Kunda Cement Museum
    • 2017
      • Much Later We Go For A Swim
      • Guest
    • 2016
      • Sense of Place
      • Awilda on a drift
      • Köler Prize 2016
      • Hundreds of Illusions Charted as Land
      • Serving makes place
    • 2015
      • Road to Silver Mine
      • Nomadic Perspectives: Yamanashi
    • 2014
      • Untitled (Forest)
      • Castle
      • Ruins
      • Last Night Your Mate Danced Like A Tree
    • 2013
      • Attempts to stage a landscape
  • Curating
    • one-on-one. on skills
  • News
  • About
  • Contact
  • CV
  • Books
  • Cart

Laura Põld
Logo Logo Logo Logo Logo
  • Works
    • 2023
      • Lavoir (II)
      • Translating and Co-labouring
    • 2022
      • Common Threads, Polar Bear and Elephant
      • Artefactourism: rumours and ruins
      • Lavoir
      • Wasteland. The Phosphorite War (II)
      • Hello from within
    • 2021
      • Walking Talking Minerals
      • Wasteland (The Phosphorite War)
      • Overlay
      • Doing What They Do Best
    • 2020
      • Living / Making Rituals. An Exhibition at Home
      • Shedding Skin
      • Denial
      • Beautiful Necessity
    • 2019
      • Natural Shelter
      • Burrows. Flights
      • Hello from inside
    • 2018
      • Premonition
      • How to: Live. Virtual Biographies
      • A necklace, a ladle, a touching vase and other recollections in clay
      • Laura Põld x Kunda Cement Museum
    • 2017
      • Much Later We Go For A Swim
      • Guest
    • 2016
      • Sense of Place
      • Awilda on a drift
      • Köler Prize 2016
      • Hundreds of Illusions Charted as Land
      • Serving makes place
    • 2015
      • Road to Silver Mine
      • Nomadic Perspectives: Yamanashi
    • 2014
      • Untitled (Forest)
      • Castle
      • Ruins
      • Last Night Your Mate Danced Like A Tree
    • 2013
      • Attempts to stage a landscape
  • Curating
    • one-on-one. on skills
  • News
  • About
  • Contact
  • CV
  • Books
  • Cart
  • All
  • 2023
  • 2022
  • curating
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013

Lavoir (II)

2023

Translating and Co-labouring

2023

Common Threads, Polar Bear and Elephant

2022

Artefactourism: rumours and ruins

2022

Lavoir

2022

Hello from within

2022

Wasteland. The Phosphorite War (II)

2022

Walking Talking Minerals

2021

Wasteland (The Phosphorite War)

2021

Overlay

2021

Doing What They Do Best

2021

Living / Making Rituals. An Exhibition at Home

2020

Shedding Skin

2020

Denial

2020

Beautiful Necessity

2020

Hello from inside

2019

Burrows. Flights

2019

Natural Shelter

2019

Premonition

2018

How to: Live. Virtual Biographies

2018

A necklace, a ladle, a touching vase and other recollections in clay

2018

Laura Põld x Kunda Cement Museum

2018

Much Later We Go For A Swim

2017

Guest

2017

Awilda on a drift

2016

Sense of Place

2016

Köler Prize 2016

2016

Hundreds of Illusions Charted as Land

2016

Road to Silver Mine

2015

Nomadic Perspectives: Yamanashi

2015

Untitled (Forest)

2014

Castle

2014

Serving makes place

2016

Ruins

2014

Last Night Your Mate Danced Like A Tree

2014

Attempts to stage a landscape

2013